Looper

Here you go. How should you order Bronco badlands from Ford doesn’t come with Sasquatch pack as standard, WildTrack does that’s why it is top model in US. In UAE dealer orders Badlands with Sasquatch package by default so making it top end here. PPPS: my DP is inspired by Ford Bronco logo. While getting it done I suggested the designer to do something like that and they “chapofy” it.

Badlands is similar to Jeep Wrangler Rubicon, meant more for rock crawling. You will do better with WildTrack imho. My understanding from the reviews is that WildTrack is technically the highest end vehicle in Bronco lineup irrespective of Badlands having slightly more features in transmission (source reviews from the time of introduction). TC Customs YT compared WildTraack vs BadLands (PS: there’s one more video by TCCustoms where they have listed all the features of all the Bronco models, I’ll add that link when I find it) PPS: don’t find many Bronco being driven in desert. I had a post asking the same. Wonder why!

You would soon regret having a 2 Door if it is the only car capable of going off-road. Even if it is going to be a second car I would still recommend you go for a 4 door if the other car is not capable of going off-road. I have a Sport 2D and while it is the best one for pure desert driving; I have more than once regretted having a 2 Door. The reason for the regret is that - winters in UAE is camping time and I find my car to be awfully lacking in useable space. Jeep as a daily driver is fairly good. The roads in UAE are the best in the world and you might not find much difference compared to other cars (especially if you are not comparing it). My 2 door is also the only car I drive, and it is my daily drive as well. I happen to rent cars when I have need for an extra vehicle for a short time and I do not find much differance in the ride quality. It is perhaps becuase the rented cars tend to be sedans which are in completely different segments, so I do not compare them mentally. The driving dynamics that Jeep brings to table also gives it a character and I love the how it drives in my daily on-road driving as well.

Thanks @Frederic, it is an excellent and informative post. For lazy bums like me who can't plan anything it is a boon.

Jeep Wrangler JLU

When it comes to desert driving photography, having the right equipment is essential to capture the action from far as well as the cuteness of your ride from near. At the same time, you would also want to capture the vastness and unique beauty of these arid landscapes. Super zoom lenses offer a versatile solution, providing both telephoto and wide-angle capabilities in a single lens. We need the wide-angle for capturing photos of own cars that we love and cherish and telephoto for distant subjects like other cars while doing sidees or being recovering as well as ancillary subjects like the wildlife or other interesting details in the landscape. In this article, we will delve into the basics of super zoom lenses, highlight their benefits and drawbacks, and provide a selection of models available from popular brands. Understanding Super Zoom Lenses: Super zoom lenses, also known as all-in-one or bridge lenses, are designed to cover a wide focal range, typically ranging from wide-angle to telephoto, all within a single lens. Typically, you will find 18-300 mm in the APSC or crop sensor models and 28 mm - 200mm for the full frame models. These lenses offer convenience and versatility, eliminating the need to carry multiple lenses while driving. Benefits of Super Zooms for Desert Driving Photography: Versatility: Super zoom lenses provide a wide focal range, allowing you to capture various perspectives and subjects. Whether its photographing distant cars doing their things or your own vehicle up close during breaks, a super zoom lens has you covered. Compact and Lightweight: Compared to carrying multiple lenses, a super zoom lens simplifies your gear setup and reduces the overall weight, making it more comfortable to handle during drives or even on hikes. Quick Adjustments: With a super zoom lens, you can swiftly switch between telephoto and wide-angle focal lengths. This enables you to adapt to different photography opportunities on the go, ensuring you don't miss any crucial shots. Cost-Effective: Investing in a single super zoom lens can be a cost-effective option, saving you money compared to purchasing multiple lenses to cover the same focal range. Great Travel Companion: Even when you are not driving, and you are on a break, it is still a great lens to take with you. Super zooms are typically listed in the Travel Category of the manufacturer page. They offer better clarity than the phone you have up close as well as taking those faraway landmarks. Cons of Super Zooms: Image Quality: Super zooms do not match the optical performance of specialized prime or high-end zoom lenses. But the difference in quality is often negligible for the intended use in forum or in Instagram. Aperture Limitations: Super zoom lenses have smaller maximum apertures compared to prime or high-end zoom lenses. Plus, they are most often variable as well. This can affect low-light performance and limit depth of field control. But when we drive in the desert, we most often have ample light, and the smaller apertures are not necessarily a problem. Distortion and Chromatic Aberration: Super zoom lenses most often than not will exhibit distortion, vignetting, or chromatic aberration, especially at the extreme ends of the focal range. However, these shortcomings can often be corrected during post-processing. When I import my photos into Lightroom I import them with lens correction, and Lightroom is smart enough to apply the necessary lens specific corrections to all the photos automatically. Here's a small list of compatible Super Zoom lenses: APSC Super-zoom Lenses for DSLRs Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR (I bought mine second hand for my D5100) Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II Canon EF-S 18-200mm f/3.5-5.6 IS Sony E 18–200 mm F3.5-6.3 OSS APS-C Tamron 18-400mm f/3.5-6.3 Di II VC HLD Tamron 18-300mm f/3.5-6.3 Di II VC PZD MACRO Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM Contemporary Full Frame DSLR Lenses: Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR Canon EF 28-300mm f/3.5-5.6L IS USM Sony FE 24-240mm F3.5-6.3 OSS Full Frame Mirrorless Camera Lenses: Nikon Z 24-200mm f/4-6.3 VR Canon RF 24-240mm f/4-6.3 IS USM Sony E 18-200mm f/3.5-6.3 OSS LE Sony FE 24-240mm F3.5-6.3 OSS Tamron 28-300mm f/3.5-6.3 Di VC PZD Fujinon XF 18-135mm f/3.5-5.6 R LM OIS WR Tamron 18-300mm f/3.5-6.3 Di II VC PZD MACRO (available for Fuji) Note: Some lenses could be discontinued but listed here because they can be bought secondhand.